Monthly Archives: May 2020

Alaska#36

Valley of Ten Thousand Smokes, Alaska, USA.  This image was made continuing on with my 700mm setup from Alaska#35.  I loved this scene because of the shadowed hill in the foreground, followed by strong diagonal lines in the mid ground hill, followed by hazy distant hill.  With clouds filling 1/3 of the frame.

Valley of Ten Thousand Smokes, Alaska, USA

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Alaska#35

Valley of Ten Thousand Smokes, Alaska, USA.  The sheer uniqueness of this landscape encouraged me to shoot this image.  The horizontal pattern at the bottom, followed by diagonal pattern above it and finally, the uniquely different hills anchoring the background.   The low clouds added drama.  To isolate this scene, my Nikkor 200-500mm f5.6 lens was insufficient.  I needed to add my 1.4x teleconverter, to effectively shoot this at 700mm.

Valley of Ten Thousand Smokes, Alaska, USA

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Understanding wildlife shooting distances with super-telephoto lenses

People not familiar with wildlife photography, assume naively that just because I have a super-telephoto lens as shown below, I can zoom in and shoot a mole on a rat’s behind, a mile away.

This is not true.

This is me, with my Nikon D4S and Nikkor 200-500mm f5.6 lens.
Caption: This is me, with my Nikon D4S and Nikkor 200-500 f5.6 lens.

So, how much can you zoom? 

In other words, how far can a bird be, to be able to shoot it with sufficient quality, so that one can look at the resulting image and be able to see details (eyes, feather details etc)?  

I am going to get a bit technical with high school physics.

The ratio of the “image size” to the “object size” is the same as the ratio of the “lens focal length” and the “object distance” from the lens.

Let’s define the terms contained here.

Image Size – The size of the image on the sensor.  In 35mm photography, the size of the sensor is 24mm x 36mm.  In a horizontal image, if a bird’s image should occupy half the height of the sensor, the image size is 12mm.  If the length of the bird along the length of the sensor should occupy half the sensor’s length, that should be 18mm.

Object Size – This is the height or length of the bird in real life.  For a sparrow, the length is around 150mm and the wingspan is around 200mm.

Lens Focal Length – When you buy a lens, it is mainly differentiated by its focal length, although the other differentiating characteristic is its maximum aperture.  Discussing max aperture is beyond the scope of this post.  So, for my Nikkor 200-500mm lens, the focal length is variable between 200mm and 500mm.

Object Distance – This is the distance between the bird and the lens.  This is the answer we are seeking – “how far can you zoom?”.

Having established this much, it is now easy to make the necessary calculations.  To illustrate, let us take a few examples.

Example 1:  With my 400mm lens, how close was I to this snowy egret, when I made this image?

Caption: Snowy Egret in flight, Don Edwards Wildlife Refuge, Alviso, CA

Let us estimate that the wingspan of this bird image is about half the horizontal length of the sensor and therefore “Image Size” = 18mm.  Snowy Egret wingspan is roughly 40 inches or 1000mm.  Therefore “Object Size” = 1000mm.  I used a focal length of 400mm.  

Therefore, we can now easily calculate the bird distance as follows:

Distance of bird = Focal length x Object Size / Image Size

Distance of bird = 400mm x 1000mm / 18mm

Distance of bird = 22,222 mm = 22 meters.

Example 2: How far can a sparrow be to fill the frame the same way as example 1? 

Let’s use the same 400mm.  The sparrow wingspan is 200mm.  Therefore:

Distance of sparrow = 400mm x 200mm / 18mm

Distance of sparrow = 4,444 mm = 4.4 meters.

Example 3: In the following image, how close was I when I photographed these american white pelicans?

Caption: American White Pelicans in flight, Don Edwards San Francisco Bay Wildlife Refuge, Alviso, CA, USA

Estimate the bird image size to be 10% of the sensor length or 3.6mm.  Assume the same 400mm lens.  These pelicans are roughly 60 inches or 1500mm in length. The calculation is straightforward:

Distance of these birds = 400mm x 1500mm / 3.6mm

Distance of these birds = 166,667mm = 167 meters.

Example 4: What if you used a 600mm lens, instead of 400mm? 

You can now have 50% additional distance between you and the flying bird.

Example 5: What if you used a 200mm lens, instead of 400mm? 

Your distance to the bird needs to be halved.

Example 6: What lens would you need, to fill half the frame sensor with a sparrow that is 100 meters or 100,000mm away? 

The calculation would be:

Focal length needed = 100,000mm x 18mm/200mm = 9000mm. 

The longest lens that is commercially available today is the 800mm lens.  That lens costs about $ 12,000 or more.  There is no 9000mm lens.  Your best bet is to master techniques to get closer to the sparrow.

Example 7: What if I used a 1.5x crop sensor (an APS-C sensor), which is roughly 16mm x 24mm?

You will get additional 50% distance from the bird.

Alaska#34

Valley of Ten Thousand Smokes, Alaska, USA.  When a natural scene has geometrical patterns embedded, it excites visually.  Here you see how the pink flower laden foreground hill slopes right to the left.  The distant hills slope from the left to the right (two of them).  Finally the snow in the farthest hill slopes from the right to the left.  An alternating pattern here.  Finally, the clouds on top.  Nikon D4S loaded with the Nikkor 200-500mm f5.6 lens.

Valley of Ten Thousand Smokes, Alaska, USA

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Alaska#33

Valley of Ten Thousand Smokes, Alaska, USA.  This scene was interesting for me firstly because of the pink flower laden hillside.  Secondly, there is a repeating pattern of ridges coming out of the clouds to the bottom right.  Nikon D4S loaded with the Nikkor 200-500mm f5.6 lens.

Valley of Ten Thousand Smokes, Alaska, USA

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Alaska#32

Valley of Ten Thousand Smokes, Alaska, USA.  This scene intrigued me because of the pink flower laden foreground hill on the bottom right, followed by the shadowed ridge and then the lit mountains in the background covered by clouds.  The sharp ridge cutting the clouds in the top left anchors the shot along with the pink flowery hill in the bottom right acting as a secondary anchor.  Nikon D4S loaded with the Nikkor 200-500mm f5.6 lens.

Valley of Ten Thousand Smokes, Alaska, USA

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Alaska#31

Valley of Ten Thousand Smokes, Alaska, USA.  On our second day trip to Brooks Falls, instead of seeing the bears for the second day in a row, we took a bus ride to the Valley of Ten Thousand Smokes, a great location within Katmai National Park.  This is one of several scenes I photographed there.  The low clouds helped add drama to this landscape.  An abstracted “Z” from the elements here.  Nikon D4S loaded with the Nikkor 200-500mm f5.6 lens.  People call this lens a wildlife lens.  For me, this is a versatile all round lens.

Valley of Ten Thousand Smokes, Alaska, USA

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Alaska#30

Brown Bears, one of them with freshly caught Salmon, Brooks Falls, Katmai National Park, Alaska, USA.  This shot was made moments after Alaska#29.  This is my last keeper shot from Day 1 at Katmai.

Brown Bear on Brooks Falls catching Salmon swimming upstream, Alaska, USA

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Alaska#29

Brown Bears waiting for Salmon swimming upstream on Brooks Falls, Katmai National Park, Alaska, USA.  One of them gets to eat while the other is not lucky this time.  Nikon D4S with Nikkor 200-500mm f5.6 lens.  

Brown Bear on Brooks Falls catching Salmon swimming upstream, Alaska, USA

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Alaska#28

Brown Bear close to catching a Salmon swimming upstream on Brooks Falls, Alaska, USA.  Nikon D4S with Nikkor 200-500mm f5.6 lens.

Brown Bear on Brooks Falls catching Salmon swimming upstream, Alaska, USA

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